Went to the Shrinking Childhoods exhibition at Tate modern this afternoon. This exhibition is probably the best and certainly the most powerful exhibition I have ever seen, although using the word ‘seen’ actually seems inadequate, ‘interacted with’ or ‘experienced’ would be better descriptions.
The exhibition, housed in portacabins round the back of the main building is put together by young people living in London, with the main contributions from members of the kids company. It’s intent is to to initiate a national debate on the nature of childhood in Britain today.
Installations depicting their experiences of home are almost too distressing to cope with. I was completely overwhelmed and rendered speechless for sometime after standing in a room of a crack house, reading torn out pages of exercise books telling of how this is real life and of one young persons desire to kill themselves. As you enter each building, each with a different story to tell, a different aspect of abuse is encountered and I wondered whether this relentless assault of truth would break me to the point of having to leave and return at a later date to see the rest. But the compelling storytelling of real people held me there, telling myself that out of respect to each person who had made themselves vulnerable, I would look at, think about and try to hear every single piece.
Camila Batmandghelidjh, who founded Kids Company in 1996, said in a recent interview ‘There is a huge discrepancy between the numbers of children on Child Protection Registers and those on Youth Offending Registers. Too many children are criminalized before they are protected.. I hope Shrinking Childhoods will be a call to action for society to recognise how lack of quality adult care causes havoc in children’s lives. Children cannot be held responsible when adults fail them.’
I look forward to visiting again with some of the young people I work with and am now wondering how we can use art more in the context of our work with young people here in Islington.
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