I was fortunate enough to be at the opening of the new
artwork in the Turbine Hall, at Tate Modern last night. Rachael Whiteread’s
‘Embankment’ is places thousands of white plastic boxes, made from casts of ten
different cardboard boxes. The overall effect is interesting and the thousands
upon thousands of boxes pilled up on each other create new forms and distract
you from the single cells which make them up.
It’s almost labyrinthine in style so don’t be surprised if
you see something similar, though smaller at an alternative worship service
near you soon.
‘An embankment is something which is built to hold back
water or to support a road or railway over low ground’ Whiteread has said. ‘I
thought of it as something that was built up, and built up out of other
materials.’
Make what you will out of that!
I while ago I was reflecting on how I got most of my (and Gemma’s) possessions into 50 box’s, thinking about what those 50 box’s contained. This
piece looks not at what the boxes contain but how they fill (or are positioned,
as they only fill about half the hall) the space in which they are stacked.
I am surprised as I read all the write up’s that there is no
mention of the relationship between ‘the embankment’ on which the Tate sits and
cardboard boxes - this would probably be more obvious to those who sleep on ‘it’
and in ‘them’
For
more on box’s see what fun Sarah has been having after seeing a previous link
here.
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